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Design

Workspace of the Month: Inside the Cool New Campus of Universal Music Canada

The multi-purpose site has three recording studios and an in-house concert venue
A photo of the mural wall inside Universal Music Canada's Toronto office
The typographic mural is by Canadian artist and creative director Ben Johnston (photos: Kayla Rocca)
By Isabel B. Slone
Oct 26, 2022

In our Workspace series, CB is featuring interesting, smart-designed and one-of-a-kind spaces across Canada. From innovative home offices to out-of-the-box co-working spaces to unconventional setups—like this beauty company run out of a rural farmhouse and this carbon-bike company located in a former auto body shop—we are looking to showcase the most unique and beautiful spaces from all industries. This month we are profiling the new Toronto office of Universal Music Canada.


Jeffrey Remedios, CEO and chairman of Universal Music Canada, knows all about impermanence. “Now that music is so ephemeral—songs recorded on a laptop in someone’s bedroom regularly make it on the Billboard Top 100—there is a real desire to create a sense of place,” he says.

Remedios is the indie darling who brought Broken Social Scene to the mainstream as co-founder of the Arts & Crafts label. When he took on the top job at Universal in 2015, the company’s offices occupied a desolate stretch off the highway in a Toronto suburb and functioned primarily as a shipping warehouse for CDs and merch. Artists only came to visit if they had a formal meeting scheduled. Remedios began to conceive of a relocated creative campus with state-of-the-art recording studios, listening rooms, a small, intimate concert venue and a hybrid workspace where artists could jam alongside marketing teams, A&R people and even the accounting department.

A photo of an open-concept workspace inside Universal Music Canada

The open-concept workspace accommodates hybrid meetings. Employees are required to be in the physical workspace three days a week.

The new office, in downtown Toronto’s Liberty Village, welcomed Universal’s full team of roughly 160 employees in April. It’s an expansive loft-like space punctuated by black-spruce beams and filled with natural light coming in through floor-to-ceiling windows.

The vibe is converted factory, but the building is actually brand new. It’s a collaboration between Universal and development company Hullmark, and it’s the first commercial building in Ontario in a century to use timber construction. It contains more than 7,000 square metres of workspace and 789 square metres of retail, with Universal occupying half of the former and all of the latter. Hullmark brought in architecture firm Quadrangle, and Universal hired sustainable-design firm Superkül to outfit the space.

A photo of a neon sign inside Universal Music Canada's recording studio

The bar in the performance space features a neon sign of a Tragically Hip lyric in late singer Gord Downie’s handwriting as well as a canopy of chair backs from Massey Hall.

There’s an Arvo artisanal café and wine bar on the ground floor that’s open to the public. The building also houses the Academy at Universal Music Canada, a 100-seat concert venue. Shawn Mendes used it as a rehearsal space for two months leading up to his performance at the 2022 MTV Video Music Awards. The Academy contains an art-deco bar and a bandshell made of wooden chair backs sourced from Massey Hall. A neon sign that says “No dress rehearsal, this is our life,” a lyric from The Tragically Hip’s “Ahead by a Century,” was crafted in Gord Downie’s own handwriting.

Upstairs are three recording studios that were designed by renowned acoustic engineer Martin Pilchner—the aesthetic is boho living room with Persian carpets. Unlike a typical dark, cavernous recording studio, these spaces have natural light, which required feats of engineering: The architects built rooms within larger, windowed rooms to allow light in while maintaining acoustic integrity.

Jeffrey Remedios, CEO and chairman of Universal Music Canada, in his office

Jeffrey Remedios, CEO and chairman of Universal Music Canada, in his office. He wanted the new space to be a creative campus with state-of-the-art recording studios, listening rooms, a small, intimate concert venue and a hybrid workspace.

There’s also a lounge with green velvet armchairs and a teal mid-century couch sourced by Superkül. The office walls are lined with a fuzzy wool-felt installation by artist Kathryn Walter, which has a natural acoustic-dampening effect on the space. The company commissioned original artwork from contemporary Canadian talent, including typographer and muralist Ben Johnston and mixed-media artist Tahsine Al Hassane. There’s also a fully insulated listening room where Universal artists like Jamie Fine and Johnny Orlando can blast their latest tracks without disturbing employees working nearby.

The staff, a wide-ranging team that includes executives, marketers, accountants and recording engineers, work at banks of desks grouped together. Employees are required to be in the physical workspace three days a week. Creatively, the campus is abuzz. “Being back in the office after the pandemic is so rejuvenating,” says Remedios. “Art and music are about human connection.”

A photo of a recording studio on the new campus

There are three recording studios on the new campus. Unlike a typical dark, cavernous recording studio, these spaces have natural light, which required feats of engineering.
Isabel B. Slone
Isabel B. Slone
Isabel B. Slone is a Toronto-based journalist whose work has appeared in the New York Times, the Wall Street Journal, Financial Times and others.

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